Scandinavian ellipsis

In the plane on the way to Helsinki..
Finally the concert in Oslo started sounding and looking close to my expectations. There is something special with this venue, the audience (who was really great that night, many thanks to them) is really close to the stage, and it gives a feeling of proximity quite unique. In addition you don't have these far too strict regulations like in Sweden for lasers, so the audience could be truly immersed in the waves of light.

In Stockholm, yesterday the sound was really good but lasers pointed a bit too high. I am now starting to control the laser harp rather well, but maybe I should make a few intentional mistakes for people to really understand that it is live!!

I am really enjoying the touch of the AX-Synth, the prototype that Roland Europe kindly got me before its July release for the solo in Fin de Siecle. I think this instrument sounds really great. We had to cover it in black for lighting reasons, I know that Roland Japan is preparing a special version for me to fit the project. I really appreciate.

Talking about instruments, after the gig in Stockholm, with Dominique, Claude and Francis we met all the team from Clavia. We had a good time talking about new ideas for future projects. We were also impressed by the Nord Electro 3 and the Nordwave, which we really would have to get for the next leg of the tour, specially for America and Australia.

Tomorrow I am looking forward to playing Helsinki. I like this city. The Railway Station is a great piece of architecture. During the cold war, the Russians, who were not allowed to come to the West, were coming from Moscow, just to spend some time and money in the restaurant of the station transformed in a casino where they could play blackjack, roulette..etc. And then going back home by the next train. You can still imagine KGB spies being around..