The UK Week

It started in Glasgow, a very unusual venue indeed. We knew from the start that it would be the most difficult one: too small for our production, impossible to get the PA behind the screen and all our lighting equipment. Despite all this we had a warm welcome from the Scots and it was technically a good warm up before London.

LONDON

Even though the audience was good at the Royal Albert Hall last year, I was not entirely satisfied. Too many technical problems and the RAH is always a difficult venue. So the crew, the band and I were really longing for this gig.

I love Wembley Arena, I had already played there and despite its age compared to the O2 arena, the sound and the mood there is great.. We had a serious sound and light check and even if everybody was apparently cool, you could feel the energy growing all day long, no question of missing that one.
Ignace d'Haese our lighting designer came over specially for the concert and we spent two hours checking and cleaning every song. I tuned with Hugo the pace and the textures of the lasers. Then we had a two-hour sound check. You could tell that the sound was amazing already. I rehearsed especially all my solos. The Laser Harp was ok, like the accordion, the moog liberation and the chorus in Fin de Siècle.

I went on stage like on a boxing ring, and instantly I felt it was going to be great. The audience was really hot, the sound was perfect, the light and lasers amazing. Such an energy was coming from the stage and the audience that the whole building was vibrating with the subwoofers and you had such a space in the mix that the audience and ourselves were immersed in a storm of sounds and lights..

I dedicated Oxygene 4 to London because it is where everything started for me, when one evening Radio 1 played the entire album, Oxygene became an instant hit everywhere.. Then I dedicated the next song in the Encore, Fin de Siècle, to my father. It is a song I composed in London after having met him there after many years. I have been moved by the audience which suddenly sat down in a religious silence. Thanks to you all.
The after-show party was great, everybody was very enthusiastic about the show.

My son Barnaby, his wife Chione and their boys Roman and Gabriel were there too. It was so great to see the boys dancing and staring at the stage all along the concert.

The following morning, on Saturday we left London for Manchester by bus. We were stuck for several hours in a huge traffic jam. We arrived very late at the venue and we had the shortest sound check of the tour by far: just a few minutes.
Lots of things went wrong on stage, but apparently nobody really noticed and the audience was great.
Pierre said in our ear monitors that we should do a second Encore, which we did.

This afternoon we arrived in Birmingham, driving all the way long. We had such a great weather, summer-like. We had a lot of fun in the bus, we took some photos for Paris Match. We climbed on the roof of the bus to get some sun. Then I spent some time in my room playing on the Korg PA500, finding new ideas..
I really enjoyed the show tonight, I had a lot of fun on stage with Dominique, Francis and Claude. The audience was receptive and everybody ended the concert dancing and raving....